Iago plays upon this when the reminds Othello that Desdemona “seemed to shake and fear your looks” (III.iii.207), and that he is not “of her own clime, complexion, and degree” (III.iii.230). The ethnic composition of the population of Othello, WA is composed of 12k Hispanic or Latino residents (62.3%), 6.78k White Alone residents (35.2%), 190 Asian Alone residents (0.986%), 173 Two or More Races residents (0.898%), 72 American Indian & Alaska Native Alone residents (0.374%), 50 Black or African American Alone residents (0.26%), 0 Native Hawaiian & Other Pacific Islander Alone residents … Roderigo derides Othello too as ‘the thick-lips’ (1.1.66), while Brabantio, in his public confrontation with Othello, finds it inconceivable that his daughter should desire to ‘Run from her guardage to the sooty bosom / Of such a thing as thou’ (1.2.70–1) without being drugged or bewitched. Shakespeare Othello culture of suspicion Published by Editor on June 16, 2016. Much ado about a handkerchief ‘So much ado, so much stress, so much passion and repetition about an Handkerchief!’ (Rymer, 1693, p. 135). Race provides the most prominent catalyst for the conflicts that become evident in the play. In a vain attempt to placate Brabantio, the Duke assures him that ‘If virtue no delighted beauty lack, / Your son-in-law is … Race and Ethnicity by County Subdivision in the Othello Area There are 3 county subdivisions in the Othello Area. After the Turkish fleet is wrecked in a storm, Iago engineers a drunken brawl between Roderigo and Cassio, and Othello strips Cassio of his rank. Othello is one of Shakespeare's greatest and most complex plays. Written by Vanessa Pupavac. Shakespeare recognised the destructive power of a spoken slur (racial, religious, sexual, social) upon … Iago delivers a soliloquy revealing his hatred of Othello, a rumour that Othello has slept with Emilia, and his plan to make Othello believe Desdemona is betraying him with her friend Cassio. This section compares all 3 of those to each other, the Othello Area, and other entities that contain or substantially overlap with the Othello Area. Many studies of Shakespeare’s tragedy Othello begin with the seventeenth century critic Thomas Rymer’s incredulity over Desdemona’s handkerchief … Desdemona appeals on Cassio’s behalf and Iago takes the opportunity to … Throughout the play Desdemona defines Othello through his identities as a warrior, lover and story-teller, but never through his ethnicity. Othello’s real defect (or at least the real defect in Iago’s mind and plan) is the Moor’s insecurity over his appearance. In speaking of Othello’s “honours” and “valiant parts” Desdemona does much to foster the audience’s understanding of Othello as a valiant general and man of distinction. And it works. This Othello, set like all Hytner’s Shakespeares in the present day, barely concerns itself with ethnicity. Its representation of race and ethncity are especially fruitful areas of analysis. Below you can download a set of notes on the representation of race and ethnicity in Othello.

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